Sisan Lee (b. 1995) Korea is a designer/Artist based in Seoul. He majored in spatial design and works mainly on interior design and furniture, products, and sculptures. He became interested in nature while attending a university surrounded by mountains and rivers, and majoring in spatial design, he was attracted to the uniqueness of stones, that contrasts to artifacts which were made by standardized processes. He finds a point of contact in the confrontational relationship between nature and artificiality, primitivity and modernity, and incorporates it into his work. He crosses nature and cities and collects raw materials such as stones, trees, and metals around him over a long period of time. The physical properties of the collected materials are identified and used as they are to produce them in a way that allows the purity to be preserved without being destroyed. The results produced through this method have a unique individual uniqueness, distanced from objects created through the design process of the traditional industry.
WORKS
Proportions of Stone
Proportions of Stone_Table
Proportions of Stone_Low Table
Proportions of Stone_Low Glass Table 01
Proportions of Stone_Chair
Proportions of Stone_Arm Chair
Proportions of Stone_Console
Proportions of Stone_Stool 01
Proportions of Stone_Stool 02
Proportions of Stone_Stool 03
Proportions of Stone_Stool 04
Proportions of Stone_Stool 05
Proportions of Stone_Shelf 01
Proportions of Stone_Shelf 02
Proportions of Stone_Shelf 03
Proportions of Stone_Lighting 01
Proportions of Stone_Object 01
Proportions of Stone_Resin
Proportions of Stone_Installation 01
Proportions of Stone_Installation 02
Stone Pagoda
Stone Tray
Neo-Primitive
Inlay
Side
X Chair
PROJECTS
Installation for 999 HUMANITY
Installation for RIMOWA in Seoul
OBSCURA Pop up store
OMAR AFRIDI ‘Primitive Tech’
RIMOWA ‘As seen by’
OBSCURA store in Dosan
Installation for KASE
Installation for GYUBAN
OBSCURA store in Seoungsu
Object for HYUNDAI
Floating stone for a Private Client
PRESS
INFORMATION
Arkjournak Volume 3, Mar.2020