Sisan Lee (b. 1995) explores the sculptural possibilities that emerge at the intersection of different times and environments. Drawing on experiences shaped between urban and rural landscapes, as well as the structural thinking developed through spatial design, his work investigates how modernity and primitivism, nature and industry, continuity and change can coexist within a single form. This exploration extends across furniture, objects, and spatial works.


WORKS
Proportions of stone
Neo Primitive
Earth Pieces
    Bone of Industry
    Inlay
    Imprint
    Megalith

PROJECTS
GUCCI ‘Bamboo Encounters’
RIMOWA Event in Seoul
RIMOWA ‘As seen by’
RAINS in Coex
RAINS in Seoungsu
OMAR AFRIDI Showroom in Tokyo
OMAR AFRIDI ‘Primitive Tech’
ARKET in Jamsil
YOUTH Store in Seoungsu
OBSCURA Store in Dosan
Pavilion in Soda Museum

PRESS
INFORMATION
INSTAGRAM

Imprint

Blown Glass
2026

‹Imprint› series records the varied textures and forms of tree bark shaped by natural processes on the surface of glass through glassblowing. A single log is cut into sections to create molds, into which glass is blown, bringing together traces left by nature and human intervention in shaping each object. The mutable nature of glass and subtle variations in the making process give each object a unique surface and form.
Mark